David Biedenbender - All We Are Given We Cannot Hold  album It has taken these weighing emotions and transformed them into pure beauty in the form of art song. With his first monographic album, David Biedenbender continues to prove himself as an chamber music composer while showcasing his delicate text setting ability. Distributed by Blue Griffin Recording , All We Are Given We Cannot Hold  juxtaposes two works for voice and ensemble using text by poet  Robert Fanning  with two older instrumental pieces featuring the Garth Newel Piano Quartet . Overall, album takes the listener on an emotional journey, rapidly swinging between parental worries and pondering natural monolithic beauty. Shell and Wing , a two-part work for soprano and ensemble, establishes a sense of unease from the first fluttering note. Setting newly-written text by Fanning, both the music and poetry contemplate parents' personal fears when sending their children out into the modern world of violence. Composed in

 Constellation Men's Ensemble - Man Up / Man Down Constellation's impeccable blend and intonation brings out a resonant beauty for the duration of the album. After ten years, Constellation Men's Ensemble  has released their debut album, Man Up / Man Down  on the Sono Luminus label. The album's longer and intense titular work is bookended by two shorter bursts of peaceful reflection, Home and manifesto . Constellation's impeccable blend and intonation brings out a resonant beauty for the duration of the album, and are becoming a prominent force within the new music vocal community. Jeffrey Derus ' Home , setting text by Carl Sandburg, opens the album with beauty and tonal simplicity. Derus' music is drawn from his personal experience with choirs, resulting in Constellation creating a beautiful resonance with stellar intonation. Home is in a traditional three-part form, with the middle section in a pulsating quintuple meter. Derus' repetitive text setting

 Pathos Trio - Polarity album review Polarity  is such a highly polished example of how rewarding it can be to merge contemporary classical music with electronica. Released September 15th on the Imaginary Animals label, Polarity wedges itself in a specific niche between contemporary classical music and electronica. The collaborative album combines the performance capabilities of  Pathos Trio with six composers, all of whom have written pieces specifically for the trio, and Four/Ten Media , which is creating accompanying music videos for each track. With the only unifying feature being the implementation of electronics, it is quite impressive how the six new works form such a cohesive collection. Pathos Trio, made up of two percussionists and a pianist, completely reimagines the idiom of the chamber ensemble, embracing the possibilities of electronic integration within live performance. For many non-classical audiences, these instruments and setup may already be commonplace, enabling

 Jessica Meyer - GAEA Concerto for Amplified Viola GAEA  truly shows off Meyer's chops as a performer/composer. Jessica Meyer , recently appointed viola faculty member at Manhattan School of Music , is both an accomplished composer and violist. Her recent endeavor has combined the two together, creating GAEA , a twelve-minute programmatic concerto for amplified viola and chamber orchestra in a single movement.  Opening with a timpani bang and some impressive bass clarinet playing, GAEA grabs the audience's attention from the get-go. Performed by The Orchestra of The League of Composers  under the baton of director Louis Karchin , the ensemble effectively navigates the tonal, yet tricky music. Unfortunately, the ensemble is not without flaw. Recurring intonation issues become increasingly apparent within the brass trio as the work develops. Meyer astonishes with her pure tone and meaningful lyricism, clear in both her performance and composition. As she mentions in her program n

 Eric Nathan - Some Favored Nook Some Favored Nook , the latest release by composer Eric Nathan , is a dramatic, fifty-minute long song cycle for soprano, baritone and piano. Using a libretto by Mark Campbell , Some Favored Nook  dramatizes the relationship between poet Emily Dickinson and abolitionist Thomas Wentworth Higginson, using Dickinson's poetry and various letters as source material. The extended song cycle features some incredible performers, who do their best to salvage the music. Tony Arnold , soprano, and William Sharp , baritone, trade off songs all accompanied by pianist Seth Knopp. In his music, Nathan favors the use of space and recitative-style text setting. Often it results in him being too careful. Clearly he is favoring simplistic lines in order to ensure the text is understood immediately. Unfortunately, his choice works against him. The vocal lines are forgettable and plain boring, with the added space breaking the natural flow of the text. Similarly, the pi

 Yotam Haber - Bloodsnow album review Haber composes wildly stimulating music, with sections ranging from hair-raising to ominously meditative. Currently on faculty at UMKC Conservatory, Yotam Haber composes wildly stimulating music, with sections ranging from hair-raising to ominously meditative. His most recent release, Bloodsnow , out on Sideband Records , is a collection of journeys, with reflections of his experiences in Alaska encasing the album. As a whole, Haber's music feeds into the traditional complexity of contemporary classical music, but does so with gripping dignity.  Bloodsnow , the opening titular work performed by the Talea Ensemble , is the first in Haber's cycle of pieces inspired by his time spend in the Alaskan wilderness. The cold potential of natural violence underlines Haber's music, placing the listener perpetually on edge. The work, scored for flute, clarinet, string trio and piano, with the strings and piano doubling on harmonicas, completely tr